My background in architecture shaped the way I approach design today. I naturally think in systems, structure, proportion, and spatial relationships, which later evolved into fashion design and eventually digital apparel, product development, and interface thinking. After studying fashion design, my focus gradually shifted toward digital fashion and creative technology, where I became increasingly interested in the relationship between physical products, visual systems, and digital experiences.

Over the years, I’ve worked across 3D apparel, product development, visual direction, and digital workflows through both independent projects and collaborative environments. My work often sits between creative experimentation and technical execution, combining garment development, UI systems, AI-assisted processes, and product visualization into modern design pipelines.

Beyond designing products themselves, I’m deeply interested in how creative systems are built and maintained. A large part of my work involves developing workflows, organizing visual standards, guiding design teams, improving operational structure, and creating processes that make creative work more consistent, scalable, and intentional across different teams and environments.